Fictional democracy and progress. Analysis and interpretation of the Peruvian cinematographic and theatrical discourse on the internal armed conflict (2016)
DOI:
https://doi.org/10.15381/rsoc.n32.20121Keywords:
cinema, theater, peruvian, terrorism, speechAbstract
This research presents a critical and interpretative analysis about two peruvian films: La boca del lobo (1988) by Francisco Lombardi and La última noticia (2016) directed by Chaski group; and two peruvian theatrical speeches: Sin Título técnica mixta (2004) of the theater group Yuyachkani and the second play is Ruido (2006) directed by Mariana de Althaus, both plays presented in 2016. All of them were made in to referred to the internal conflict lived in Perú between 1980 and 2000.
Downloads
Published
Issue
Section
License
Copyright (c) 2021 Ernesto Walter Llanos Argumanis
This work is licensed under a Creative Commons Attribution 4.0 International License.
AUTHORS RETAIN THEIR RIGHTS:
a. Authors retain their trade mark rights and patent, and also on any process or procedure described in the article.
b. Authors retain their right to share, copy, distribute, perform and publicly communicate their article (eg, to place their article in an institutional repository or publish it in a book), with an acknowledgment of its initial publication in the Revista Sociología.
c. Authors retain theirs right to make a subsequent publication of their work, to use the article or any part thereof (eg a compilation of his papers, lecture notes, thesis, or a book), always indicating its initial publication in the Revista Sociología (the originator of the work, journal, volume, number and date).
