The polyrhythm of González Prada and Juan Parra in the formation of free verse in Peru
DOI:
https://doi.org/10.15381/tesis.v14i19.21222Keywords:
polyrhythm, free verse, peruvian poetry, González Prada, Juan Parra del RiegoAbstract
This work aims to study the verse called polyrhythm from the reflections and practice developed by Manuel González Prada and Juan Parra del Riego. This practice, in addition, becomes a proposal for alternative verse in the process of formation of the practice of free verse in Peru; thus, both poets adhere to the polyrhythm with full awareness of what its use implies. The theoretical framework on which this work is based is based on Oldrich Belic's modern versology approaches and a descriptive and functional methodology. To achieve the purpose of the work, it is divided into an introduction and two sections. In the first, the ideology of the polyrhythm is studied in the two poet and in the second, a poem by each author is examined to identify their similarities and differences.
References
Belic, O. (2000). Verso español y verso europeo. Introducción a la teoría del verso español en el contexto europeo. Instituto Caro y Cuervo.
González Prada, M. (1985). Obras. Tomo I, vol. 1. Ediciones COPÉ.
González Prada, M. (1988). Obras. Tomo III, vol. 5. Lima: Ediciones COPÉ.
Lino Salvador, L. E. (2021a). El verso libre en “Poema de la yolatría” de Suenan timbres de Luis Vidales. Estudios de literatura colombiana, 48, pp. 171-189. https://doi.org/10.17533/udea.elc.n48a11
Lino Salvador, L. E. (2021b). Poética del verso libre en el Boletín Titikaka. En G. Di Laura y K. Ibarra (Eds.), Descalzar los atriles: vanguardias literarias en el Perú. (pp. 101-119). Universidad Autónoma de México, Editora Nómada. DOI: 10.47377/vangal.5
Parra del Riego, J. (2016). Obra reunida. Biblioteca Abraham Valdelomar y Academia Peruana de la lengua.
Paraíso, I. (1985). El verso libre hispánico. Orígenes y corrientes. Cátedra.
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Copyright (c) 2021 Luis Eduardo Lino Salvador
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