Hypertextuality in Alejo Carpentier’s Concierto barroco
DOI:
https://doi.org/10.15381/tesis.v15i20.23515Keywords:
narrative, hypertextuality, Concierto barroco, Carpentier, creative writingAbstract
From the concepts of hypertextuality, as one of the forms of transtextuality, raised by Gérard Genette, the novel Concierto barroco by Alejo Carpentier is analyzed, from the starting texts, or hypertexts, that originated them to the arrival texts, or hypotexts; and even the melodies that also inspired through another modality of hypertextuality called transmodalization. What is new in this article is the deepening of hypertextuality, as a specific form of intertextuality. This article is derived from the research of the Master’s thesis in Creative Writing that is presented in the Postgraduate Unit of the Faculty of Letters and Human Sciences of the National University of San Marcos.
References
Barrelas, J. (2021). A estética barroca na intertextualidade de Concierto Barroco, de Alejo Carpentier. Faculdade de Letras da Universidade de Lisboa. http://www.academia.edu/281208/A_Est%C3%A9tica_Barroca_Na_Intertextualidade_De_Concierto_Barroco_De_Alejo_Carpentier?auto=download
Carpentier, A. (1974). Concierto barroco. de https://analisisycriticademediosunlp.files.wordpress.com/2015/04/concierto-barroco-de-alejo-carpentier.pdf
Carpentier, A. (1975). Lo barroco y lo real maravilloso. https://circulodepoesia.com/2010/12/lo-barroco-y-lo-real-maravilloso-conferencia-de-alejo-carpentier/
Carpentier, A. y Orfila Reynal, A. (2021). Correspondencia 1955-1980. Siglo XXI.
Dill, H. (1987). Alejo Carpentier, teórico de la literatura latinoamericana. Anales de Literatura Hispanoamericana, 16, p. 145-166. https://revistas.ucm.es/index.php/ALHI/article/view/ALHI8787110145A
Eco, U. (1989). El péndulo de Foucault. Bompiani-Lumen.
Erminy, E. (2010, octubre 23). Barroco de Chacao. http://operastransatlanticas.blogspot.com/2010/10/barroco-de-chacao.html
Fernández, C. (2004). Lectura estilística de “Concierto Barroco”, de Alejo Carpentier. Revista Electrónica de Estudios Filológicos, 7. https://repositorio.usil.edu.pe/items/6ac24287-7821-4090-87d2-f9e505bc614d/fulls
García-Bedoya, C. (2019). Hermenéutica literaria. Una introducción al análisis de textos narrativos y poéticos. Universidad Nacional Mayor de San Marcos, Cátedra Vallejo.
Genette, G. (1989). Palimpsestos. La literatura en segundo grado. Taurus.
Ghioldi, E. M. (2007). Situaciones de transculturación a través de expresiones artísticas en Concierto barroco de Alejo Carpentier. Revista de Antropología y Sociología Virajes, 9, pp. 105-119. https://revistasojs.ucaldas.edu.co/index.php/virajes/article/view/858/781
González E., R. (1993). Alejo Carpentier: El peregrino en su patria. Universidad Nacional Autónoma de México.
González E., R. (2000). Mito y archivo. Una teoría de la narrativa latinoamericana. Fondo de Cultura Económica.
Lukács, G. (1966). La novela histórica. Ediciones Era.
Parisot, F. (2006). L’intertextualité dans Concert Baroque d’Alejo Carpentier: une mosaïque d’esthétiques variées. Cahiers de Narratologie, 13. https://journals.openedition.org/narratologie/367
Rodríguez Miranda, D. (2008). La intertextualidad en Concierto barroco de Alejo Carpentier. [Tesis de Diploma, Facultad de Humanidades, Universidad Central Marta Abreu de Las Villas]. http://dspace.uclv.edu.cu:8089/xmlui/handle/123456789/1297
Downloads
Published
Issue
Section
License
Copyright (c) 2022 Ana María Hernández Guerra
This work is licensed under a Creative Commons Attribution 4.0 International License.
THE AUTHORS RETAIN THEIR RIGHTS:
(a) The authors retain their trademark and patent rights, and also on any process or procedure described in the article.
(b) The authors retain the right to share, copy, distribute, execute and publicly communicate the article published in Tesis (Lima) (in example, depositing the article in an institutional repository or publish it in a book), with recognition of its initial publication in the Tesis (Lima).
(c) The authors retain the right to make a later publication of their work, to use the article or any part of it (for example: a compilation of their works, notes for conferences, thesis, or for a book), provided that they indicate the source of publication (authors of the work, magazine, volume, number and date).
