Yuyachkani and the emancipated viewer
DOI:
https://doi.org/10.15381/tesis.v15i21.25231Keywords:
literature, discourse, aesthetics, event, criticismAbstract
The article discusses the ontological notion of event proposed by Jorge Dubatti. Its proposes a gnoseological one that implies a transition from the Hegelian to the Kantian approach. Thus, it recovers the aesthetic performative discourse as a constructor of dissident artistic and literary critical consciousness.
References
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Chiarella, M. (2014). “El teatro como realidad alternativa”. En P. Encinas (ed.), Stanislavski desde nuestros teatros (pp. 207-216). AIBAL, Embajada de Brasil y Facultad de Artes Escénicas de la Pontificia Universidad Católica del Perú.
Dubatti, J. (2016). Una filosofía del teatro. El teatro de los muertos. Asociación Iberoamericana de Artes y Letras y Escuela Nacional Superior de Arte Dramático.
Huamán, M. Á. (2021). Una poética del mañana. Teoría literaria del siglo XXI. Fondo Editorial de la Facultad de Letras de la Universidad Nacional Mayor de San Marcos y Dedo Crítico.
Landowski, E. (2007). Presencias del otro. Fondo Editorial de la Universidad de Lima.
Rancière, J. (2008). El espectador emancipado. Ellago Ediciones.
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Copyright (c) 2023 Miguel Ángel Huamán
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