Cusco, city of ritual performances
DOI:
https://doi.org/10.15381/1ss0dp78Keywords:
Cusco, performance, andean rituality, contemporary artAbstract
“Cusco, city of ritual performances” addresses ritual performance in Cusco, from a transdisciplinary perspective. Value the presence of ancestral rites and ceremonies, which, even present in the city, gain prominence in the field of performance. Revealing hybrid discourses in their structure, whether in the way of using the body as support, the use of space, among other resources for their creation. Making visible the strong presence of ancestral Andean rituality in contemporary art spaces in the city. The main objective of this article is to analyze the ways in which ancestral Andean rites acquire relevance in the field of performance as an aesthetic manifestation; Likewise, explore concepts of the Andean worldview and performativity. The ritual performance in a city like Cusco, preserves in its own territory and ancestral cosmogony the ability to dialogue through its connection with the men and women of this time.
References
Eliade, M. (2006). El chamanismo y las técnicas arcaicas del éxtasis. Retrieved from academia.edu: https://www.academia.edu/36915021/Eliade_Mircea_El_Chamanismo_y_las_Tecnicas_Arcaicas_del_Extasis_pdf
De la Vega, G. (2021). Comentarios reales de los Incas. Edición Bicentenario. Revuelta Editores.
D’ Amico, M. (2020). De la realidad ancestral a la virtualidad contemporànea. Performance Art: La revancha del Cuerpo Creador. Retrieved from revistasenlinea. saber. ucab.edu.pe.ve: https://revistasenlinea.saber.ucab.edu.ve/index.php/baciyelmo/article/view/5407/4601
Marino, A. (2021). El giro performativo. En CLACSO, Nuevos acercamientos a los estudios latinoamericanos. Cultura y poder (pág. 275). CLACSO.
Pérez, B. (2006). Turismo y representación de la cultura: identidad cultural y resistencia en comunidades andinas de Cusco. ANTHROPOLOGICA/AÑO XXIV, N.º 24, diciembre de 2006: https://revistas.pucp.edu.pe/index.php/anthropologica/article/view/2084/2017
Tschohl, A. (2003).“... Los pintaré como estaban puestos hasta que entró a este reyno el santo Ebangeleo” Santacruz Pachacuti Yamqui, 1613. Retrieved from www.scholar. google.es: https://scholar.google.es/scholar?hl=es&as_sdt=0%2C5&q=Tschohl%2C+A.+B.+%282003%29.+%22...+Los+pintar%C3%A9+como+estaban+puestos+hasta+que+entr%C3%B3+a+este+reyno+el+santo+Ebangeleo%22+Santacruz+Pachacuti+Yamqui%2C+1613.+In+Anales+del+Museo+de+Am%C3%A9ric
Ugarte, D. (2006). Cusco. La Dimensión Cultural Andino Amazónica del Desarrollo Descentralizado y los Desafíos del siglo XXI. Instituto Nacional de Cultura.
Zecenarro, G. (2003). Boletín De Arqueología Pucp, N.° 7, 2003, 387-405 Apus Tutelares Y Asentamientos.
Zuidema, T. (2010). El calendario Inca, tiempo y espacio en la organizacion ritual del Cusco. La idea del pasado. Fondo Editorial del Congreso del Perú. Fondo Editorial de la Pontificia Universidad Católica del Perú.
Downloads
Published
Issue
Section
License
Copyright (c) 2025 Carol Arzubialde Zamalloa
This work is licensed under a Creative Commons Attribution 4.0 International License.
THE AUTHORS RETAIN THEIR RIGHTS:
(a) The authors retain their trademark and patent rights, and also on any process or procedure described in the article.
(b) The authors retain the right to share, copy, distribute, execute and publicly communicate the article published in Tesis (Lima) (in example, depositing the article in an institutional repository or publish it in a book), with recognition of its initial publication in the Tesis (Lima).
(c) The authors retain the right to make a later publication of their work, to use the article or any part of it (for example: a compilation of their works, notes for conferences, thesis, or for a book), provided that they indicate the source of publication (authors of the work, magazine, volume, number and date).
