ROMUALDO, ART OF THE WORD OR POETICS OF LIFE
DOI:
https://doi.org/10.15381/escrypensam.v17i34.13648Keywords:
Generation of the Fifties, Post Vallejo Peruvian poetry, contemporary Peruvian poetry, contemporary Latin American poetry, contemporary spanish American poetry, revolutionary poetry, Peruvian literature of the Twentieth Cen-tury, Latin American literatureAbstract
The present study weighs the involvement of the poet Alejandro Romualdo Valle in the heart of the Peruvian literary process as an author of Poetic Art of the Generation of the Fifties. In this regard, the emergence of the poet in the late forties is located in a context dominated by the absence of civil liberties, censorship of books, closing of the few democratic spaces, such as the recess of the National University of San Marcos and the deportation of its authorities. Furthermore, it presents how the poetic trends and its representatives were changing, from the recognition of conflicts in history up to the edition of the book Poesía Concreta, where the poem A otra cosa was registered. This was recognized as the poetic art of his generation. It also highlights the sense of the poem Arte poética found in the book Cuarto Mundo, where Romualdo responds to the inscrutable poetics of Martín Adam. Finally, having the post modern phenomenon as context, it analyses the poem Iconoclastia belonging to the book Ne pan ene circo (No bread nor circus) published in Italy, where the last romualdiana poetic art was registered.
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