MEANINGFUL STRUCTURE AND COLLECTIVE SUBJECT IN AMOR, GRAN LABERINTO (1947) [LOVE, GREAT LABYRINTH] AND EL RABDOMANTE (1965) [THE DIVINER] OF SALAZAR BONDY SEBASTIAN (1924-1965)
DOI:
https://doi.org/10.15381/escrypensam.v17i35.13662Keywords:
Contemporary theater, genetic structure, collective subject, literary sociology.Abstract
This research –using literary sociology specifically the categories of genetic structure and collective subject highlighted by Lucien Goldmann– tries to make an approach to Sebastian Salazar Bondy’s plays: Amor gran laberinto (1947) [Love, Great Labyrinth] and El rabdomante (1965 ) [The Diviner]. Thus, it will show how the discourse of the works being studied, recognizes the mental structures of the totalities during the time period between 1945 and 1965. It will also show how the text suggests textual and contextual proposals in the face of individualism through the transindividual voice of the collective subject.
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