REPRESENTATION OF WOMEN AND MOTHERLAND IN RICARDO PALMA’S RODIL
DOI:
https://doi.org/10.15381/escrypensam.v19i38.13704Keywords:
Romanticism, creole, theater.Abstract
Ricardo Palma’s plays have barely been analyzed. In our study of Ricardo Palma’s play Rodil, we will examine how the author of Tradiciones peruanas (Peruvian Traditions) builds, in his theater (a genre he practiced before his tradiciones), a Creole Lima project in which Hispanism is reconciled with Criollismo by means of the Catholic religion and the romantic spirit. To do this, he uses the contrasts between the virtuous and the vicious, the people and the nobility, among others. Our study uses social hermeneutics of texts as a tool in the analysis.
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