Juan Gonzalo Rose Ars poeticae: childhood, utopia and revolution
DOI:
https://doi.org/10.15381/escrypensam.v22i48.26590Keywords:
Generación del 50, poesía social, socialismo, sujeto re-volucionario, canción popularAbstract
This essay addresses the production and life of one of the most emblematic poets of the Generation of '50: Juan Gonzalo Rose. It focuses on three categories: childhood-utopia-revolution, as transversal axes that are defining to enter the heterogeneous poetics of his work. Juan Gonzalo appears as an author assigned to the so-called social poetry and, specifically, to socialism. The essay places his poetics at the peculiar moment of his production, framing it in his field of power and intellectual field (Bourdieu) of the first half of the 20th century. Along the way, we contribute to designing—from the interdisciplinary field of cultural studies with a Marxist approach—a theoretical and methodological framework that allows us to better revalue this literary-poetic line. This work corresponds to my Master's thesis in Cultural Studies, titled “Ideology and Aesthetics of socialism in La luz armada and Cantos desde afar, by Juan Gonzalo Rose.”
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