Quechua poetry: kidnapped writing and contemporary corpus (XX and XXI centuries)
DOI:
https://doi.org/10.15381/is.v22i41.16793Keywords:
poetry, Quechua, kidnapped writing, literary process, literary zone, PeruAbstract
We understand contemporary Quechua poetry as the establishment of resistance culture. Its validity as written language occurs through the twentieth century and strengthens in the twenty-first century. As a text type made in an entanglement of Quechua tradition with learning impressions of Western culture, we examine how and which criteria could be used to address a corpus of contemporary Quechua written poetry. We reviewed this approach from a perspective of kidnapped writing, considering notions as literary process, literary writing, and literary zone. We worked with sources from 1904 to 2017.
Downloads
Published
Issue
Section
License
Copyright (c) 2019 Gonzalo Espino Relucé
![Creative Commons License](http://i.creativecommons.org/l/by-nc-sa/4.0/88x31.png)
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
AUTHORS RETAIN THEIR RIGHTS:
a. Authors retain their trade mark rights and patent, and also on any process or procedure described in the article.
b. Authors retain their right to share, copy, distribute, perform and publicly communicate their article (eg, to place their article in an institutional repository or publish it in a book), with an acknowledgment of its initial publication in Investigaciones Sociales.
c. Authors retain theirs right to make a subsequent publication of their work, to use the article or any part thereof (eg a compilation of his papers, lecture notes, thesis, or a book), always indicating the source of publication (the originator of the work, journal, volume, number and date).