The dada aesthetic in the construction of the free verse in “Chinfonía burguesa” by José Coronel Urtecho and Joaquín Pasos
DOI:
https://doi.org/10.15381/escrypensam.v20i40.20064Keywords:
dada, free verse, Nicaraguan poetry, Joaquín Pasos, José Coronel UrtechoAbstract
This article studies the elements of Dada aesthetic that shape the free verse in the poem “Chinfonía burguesa” from the theoretical approach of modern versology. It is propounded as a hypothesis that the discursive strategies of Dada imprint, such as the semantic use of space, rhymes, and parallelisms, are updated in the free verse of the authors to propose a critique of bourgeois conceptions from the framework of irrationality. By doing so, the paper explores the scope of Dada aesthetic, its relation with the free verse in Hispanic America and its application within the poem all through a formal and interpretative analysis.
References
Aguirre, R. (1968). El dadaísmo. Buenos Aires: Centro Editor de América Latina.
Belic, O. (2000). Verso español y verso europeo. Introducción a la teoría del verso español en el contexto europeo. Santafé de Bogotá: Instituto Caro y Cuervo.
Bellini, G. (2010). Notas sobre la evolución de las vanguardias en Centroamérica: Nicaragua. Biblioteca Virtual Universal.
Breton, A. (2001). Manifiestos del surrealismo [2ª. Ed.]. Buenos Aires: Editorial Argonauta.
Cardenal, E. (1982). El grupo de vanguardia en Nicaragua. Revista de Crítica Literaria Latinoamericana, 8 (15), 71-76.
Chiriboga, A. (2014). Desencuentros en la vanguardia literaria: Nicaragua, Guatemala y Costa Rica. (Tesis para optar por título de Doctora en Filosofía), University of Pittsburgh, Estados Unidos.
Coello, O. (2014). La poética del gran disparate y el ritmo pedal de Trilce. Boletín de la Academia Peruana de la Lengua. 58 (58), 61 – 75.
De l’ Ecotais, E. (1998). El espíritu dada. París: Assouline.
De Torre, G. (1965). Historia de las Literaturas de Vanguardia. Madrid: Visor Libros.
Fajardo, C. (2011). Vanguardias artísticas del Siglo XX. Colombia: Le Monde diplomatique.
Henríquez Ureña, P. (2003). Obras completas. Tomo III. Estudios métricos. República Dominicana, Santo Domingo: Secretaria de Estado de Cultura.
Huidobro, V. (1916). Adán. Santiago: Imprenta Universitaria.
Jauralde, P. (2004). Verso libre y verso irregular. VOZ Y LETRA, 15, 115 – 128.
Lugones, L. (1909). Lunario Sentimental. Buenos Aires: Casa Editorial Sopena.
Solís, P. (2001). El movimiento de vanguardia en Nicaragua. Análisis y Antología. Colombia: Fundación Vida.
Tzara, T. (1924). 7 manifiestos dadá. París: La cucaracha ilustrada.
Downloads
Published
Issue
Section
License
Copyright (c) 2021 César Antonio Hurtado López
This work is licensed under a Creative Commons Attribution 4.0 International License.
AUTHORS RETAIN THEIR RIGHTS:
a. The authors retain their trademark and patent rights, and also over any process or procedure described in the article.
b. The authors retain the right to share, copy, distribute, execute and publicly communicate the article published in the Escritura y Pensamiento (for example, place it in an institutional repository or publish as part a book), with acknowledgment of its initial publication by Escritura y Pensamiento.
c. Authors retain the right to make a subsequent publication of their work, to use the article or any part of it (for example: a compilation of their work, lecture notes, thesis, or for a book), provided that they indicate the source of publication (authors of the work, journal, volume, number and date).