El mundo cultural andino en las publicaciones del Seminario de Historia Rural Andina (1968-2015)
DOI:
https://doi.org/10.15381/ishra.v1i1.13045Keywords:
Arte Andino, Oralidad Andina, Seminario de Historia Rural Andina, Pablo MaceraAbstract
El presente texto delinea el aporte historiográfico en torno al mundo cultural andino —con énfasis en los estudios sobre el Arte, la Oralidad y la cosmogonía— con el que el Seminario de Historia Rural Andina ha dado su aporte durante estos cincuenta años de vida académica en favor de las Ciencias Sociales y Humanas. Trabajo que se perfila en tres grandes bloques cronológicos segmentados en estudios de carácter multidisciplinario (1968-2015), uno segundo donde la oralidad pura se trasunta en la serie La Quillca (1975-1993) y un tercer momento desarrollado hacia la década de los noventa con el Proyecto Cuentos Pintados del Perú que se sigue trabajando al presente.
The Andean cultural material in the publications of the Seminario
de Historia Rural Andina: 1968-2015
ABSTRACT:
This article discusses the historiographical contributions to Andean cultural topics emphasizing art, oral history and cosmogony. These issues are presented in three phases: 1968-2015: multidisciplinary studies; oral history studies expressed through the “La Quillca” journal series: 1975-1993; Peruvian painted oral history project: 1990-).
Keywords: Andean Art; Andean Orality; Seminar of Andean Rural History; Pablo Macera.
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