RACE, GENDER AND CULTURE OF PANCHO FIERRO WATERCOLORS
DOI:
https://doi.org/10.15381/arqueolsoc.2011n23.e12317Keywords:
Liberalism, slavery, Pancho Fierro, popular culture, afroperuvian, races, zamacueca, women.Abstract
This article takes the watercolors of Pancho Fierro ask a historical source to enter the study of cultural unity and circularity, more than the different, bewteen the colonial society, order estates, and Republican in the first half of the ninetheenth Century.
Downloads
Published
Issue
Section
License
Copyright (c) 2011 Maribel Arrelucea Barrantes
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
THE AUTHORS RETAIN THEIR RIGHTS:
a. The authors retain their trademark and patent rights, and also on any process or procedure described in the article.
b. The authors retain the right to share, copy, distribute, perform and publicly communicate the article published in the Arqueología y Sociedad (for example, place it in an institutional repository or publish it in a book), with an acknowledgment of its initial publication in the Arqueología y Sociedad.
c. The authors retain the right to make a subsequent publication of their work, to use the article or any part of it (for example: a compilation of their works, notes for conferences, thesis, or for a book), provided that they indicate the source. of publication (authors of the work, journal, volume, number and date).
